Luboš Soukup Quartet’s latest release, Země, features guitar and vocals from Lionel Loueke10 / 12 / 2017
Luboš Soukup Quartet has released their third studio album, titled Země (The Earth). The jazz album features guest appearances from guitarist Lionel Loueke, who brings a slightly African touch. As with the band’s earlier releases, all music and arrangements are composed exclusively by the Czech saxophonist Luboš Soukup, and it is the first of the quartet’s offerings to feature vocal arrangements.
Compared to their previous release, Through the Mirror, which was recorded with an ensemble of 14 musicians, Země is more intimate and personal. The quartet’s essence stays the same, but new musical interactions are presented. The instruments featured on the recording (saxophone, guitar, piano, double bass, and drums) are reminiscent of the quartet’s debut album Beyond the Borders, which featured a guest appearance from guitarist David Dorůžka. However, Soukup introduces a new instrument to this project, which has not previously been typical of his music — the voice.
The saxophonist again joins forces with Danish drummer Morten Hæsum, one of the quartet’s founding members, and German pianist Christian Pabst, who featured on the quartet’s previous album. They are joined by Danish bassist Morten Haxholm, who has been with the band since 2016, and New York-based, Benin-raised guitarist, Lionel Loueke, who accompanies the band for six tracks, including providing vocals for some of them.
Luboš Soukup, recipient of the Danish Music Talent Award 2017, first met Lionel Loueke at a Summer jazz workshop for professional musicians in Vallekilde, Denmark, three years ago. At the beginning of 2017, Soukup invited Loueke to join his quartet for a European tour, during which the five musicians performed at Jazz Festival Brno, the Czech Republic, and in Copenhagen, Denmark, amongst others, and finished the tour in Danish studio, The Village Recordings, where they recorded the music for Země.
Jazz music that celebrates the Earth
The CD begins with title track Země (The Earth), which was inspired by Loueke’s music. “I wrote this composition with Lionel in mind,” says Soukup, “we live in interesting times and our planet faces many issues. My wish is that people strive to be more environmentally-friendly and sustainable, and that we are in closer contact with nature. I think future lifestyles will have to be simpler, which is a rather difficult task in today’s world with all the incredible possibilities we have.
“Only later on in the process of working on this album did I recognize the connection with Lionel’s CD, Gaïa – the word comes from Ancient Greek and means the earth and in Greek mythology, Gaia was the mother goddess who presided over the earth.The message of his album is also similar to mine; in short, the Earth is our home, so let’s take care of it.”
This optimistic song is followed by rather darker ballad, Dark Shark.The track description from the CD insert reads: “A dark shark is floating around your head, waiting for your good thoughts to eat.” Continuing with the marine imagery, following track The Red Sea — inspired by the picture of Moses stretching out his hand over the sea and God parting the waters — is one of the most rhythmically complex pieces on the album.
Soukup borrows the word Shikara from the Salman Rushdie classic, Midnight’s children, as the title for a short poem about small colorful boats on Indian lakes, and the dialogue between piano and clarinet is the leitmotif of calm and dreamlike composition, White Horse. The dreamy mood continues in the second part of Smoke, which is also one of the most technically sophisticated compositions. Soukup found inspiration for this tune in the eponymous movie directed by Paul Auster and Wayne Wang.
An interesting music development can be also heard in C. The piece opens with the collective improvisation of piano, guitar, and soprano saxophone, and features a main theme of Latin-American vibes, finally graduating in an exposed guitar solo.
The only tune that bears any hallmarks of the classical jazz of the1960s is Falling star, which captures the impression of a falling star freezing on the horizon. The final track on the album is a positive arrangement of the Czech folk song Na Bílé Hoře (On the White Mountain) which, thanks to Lionel Loueke’s contribution, has a distinctly African feel.
Artist Luboš Soukup Quartet feat. Lionel Loueke
Catalogue Number ANI 064-2
Label Animal Music
- Země (The Earth) 6:12
- Dark Shark 6:05
- The Red Sea 4:12
- Shikara 6:51
- White Horse 4:01
- C 7:03
- Falling Star 6:05
- Smoke 7:06
- Na Bílé hoře (On the White Mountain) 4:53
Total time: 53:05
All compositions by Luboš Soukup, except track 9 (Czech folk song arranged by Luboš Soukup).
Luboš Soukup – tenor and soprano saxophones, clarinet
Christian Pabst – piano
Morten Haxholm – acoustic bass
Morten Hæsum – drums
& Lionel Loueke – guitar and vocal
Recorded by Bjørn Gjessing (The Village Recordings, Vanløse, Denmark)
Mixed by August Wanngren (Copenhagen, Denmark)
Mastered by Thomas Eberger (Stockholm Mastering, Sweden)